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And that's surely a good thing! What people will intimate about the patina of learnedness that subsumes Hindemith's music is probably true, but there's much to admire in its emotional contact and content. Hindemith's 'howling in the wilderness,' as his work and career during the period of serialist triumph has been called, is vindicated with performances of this quality attending his music. He's clearly a marvelous pianist, and an intelligent one. The famous blues sequence at the conclusion of Fuga V is treated with perfect dryness by Aldwell, redeeming with such touches, as he does, a decidedly lyrical reading of a marvelous score. This is a beautiful reading of Hindemith's 'Ludus tonalis.' Aldwell's approach is lyrical and meaningful, with figures of sprite and humor. Ludus Tonalis: Postludium: Solenne, largo/Arioso, tranquillo/Moderato Ludus Tonalis: Fuga XII: in F#: Molto tranquillo Ludus Tonalis: Fuga XI in B (canon): Lento Ludus Tonalis: Interludium: Allegro pesante

Ludus Tonalis: Fuga X in D-flat: Allegro moderato, grazioso Ludus Tonalis: Interludium: Molto tranquillo Ludus Tonalis: Fuga IX in B-flat: Moderato, scherzando Ludus Tonalis: Interludium: Allegro molto Ludus Tonalis: Fuga VIIin A-flat: Moderato Ludus Tonalis: Fuga VI in E-flat: Tranquillo Ludus Tonalis: Fuga IV in A: Con energia/Lento, grazioso/Tempo primo Ludus Tonalis: Interludium: Pastorale moderato Ludus Tonalis: Interludium: Moderato, con energia Ludus Tonalis: Praeludium: Moderato/Arioso, tranquillo/Lento/Solenne, largo